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All Correggio Oil Paintings
 
 
Correggio Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
Galleria Nazionale, Parma
Correggio23.jpgPainting ID::  524
 

 
 
   
      

All Fra Filippo Lippi Oil Paintings
 
 
Fra Filippo Lippi Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
Spoleto Cathedral
Fra Filippo Lippi6.jpgPainting ID::  2563
 

 
 
   
      

All Master of Moulins Oil Paintings
 
 
Master of Moulins Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
c1500 Notre Dame, Moulins
Master of Moulins1.jpgPainting ID::  2888
 

 
 
   
      

All Raphael Oil Paintings
 
 
Raphael Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
1502-03 The Vatican
Raphael8.jpgPainting ID::  3289
 

 
 
   
      

All Fra Filippo Lippi Oil Paintings
 
 
Fra Filippo Lippi Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
mk52 1439-47 Tempera on wood 200x287cm Uffizi,Florence
new2/Fra Filippo Lippi-496544.jpgPainting ID::  26701
 

 
 
   
      

All Correggio Oil Paintings
 
 
Correggio Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
mk74 215.5x330cm Parma, Galleria Nazionale
new4/Correggio-366534.jpgPainting ID::  31629
 

 
 
   
      

All Enguerrand Quarton Oil Paintings

active in Provence 1444-1466
 
 
Enguerrand Quarton Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
mk86 1453/54 Tempera on wood 183x220cm Villeneuve-les-Avignon,Musee de l'Hospice
new9/Enguerrand Quarton-496654.jpgPainting ID::  33443
 

 
 
   
      

All GHIRLANDAIO, Domenico Oil Paintings
 
 
GHIRLANDAIO, Domenico Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
1486 Tempera on wood Pinacoteca Comunale, Citta di Castello The Coronation in Citt?di Castello is untypical of Ghirlandaio because of its limited palette: its impact is derived primarily from the contrast of various shades of blue and red with a few yellow highlights. In contrast with the old-fashioned picture in Narni, only the female saints in the centre are kneeling; three holy men are standing on each side of them. This emphasizes the circular glory composed of airy shades of blue, giving the work a dynamic and animated character. The saints on this picture are mainly ones from the Franciscan order. On the far left stands the founder of the order, St Francis of Assisi. This altarpiece is not an autographed work, it was probably made by the workshop. Artist: GHIRLANDAIO, Domenico Painting Title: Coronation of the Virgin , 1451-1500 Painting Style: Italian , , religious
new21/GHIRLANDAIO, Domenico-574576.jpgPainting ID::  62997
 

 
 
   
      

All Pollaiuolo, Piero Oil Paintings

Italian, 1443-96
 
 
Pollaiuolo, Piero Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
1483 Tempera on panel Sant'Agostino, San Gimignano The picture shows the main altar in the church of Sant'Agostino in San Gimignano with the painting of Piero del Pollaiuolo. Artist: POLLAIUOLO, Piero del Painting Title: Coronation of the Virgin , 1451-1500 Painting Style: Italian , , religious
new21/Pollaiuolo, Piero-858696.jpgPainting ID::  63097
 

 
 
   
      

All Pollaiuolo, Piero Oil Paintings

Italian, 1443-96
 
 
Pollaiuolo, Piero Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
1483 Tempera on panel Sant'Agostino, San Gimignano Artist: POLLAIUOLO, Piero del Painting Title: Coronation of the Virgin , 1451-1500 Painting Style: Italian , , religious
new21/Pollaiuolo, Piero-932973.jpgPainting ID::  63098
 

 
 
   
      

All JACOBELLO DEL FIORE Oil Paintings

Italian Early Renaissance Painter, 1370-1439
 
 
JACOBELLO DEL FIORE Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
1438 Tempera on panel, 283 x 303 cm Gallerie dell'Accademia, Venice On a huge multilevel Gothic double throne, Mary sits on Jesus' right, while he places a crown on her head with his right hand. The multitude of figures restrained by the strict frames of architecture emphasize the rigid ceremoniousness of the scene. On the right, patriarchs and apostles, on the left prophets and martyrs, below saints and holy virgins are lined up; they can be recognized by the scrolls in their hands. The most direct participants in the event are the evangelists within the cells of the throne structure and the musical angels in the front. The choir of angels form the mainstay of the heavenly court. There are nine of them in the first row. The two on the ends hold incense-burners, the other have musical instruments. While the others standing behind them cannot be classified into the nine orders of angelic hierarchy, it is certain that those standing on either side of Mary and Jesus are cherubs and seraphs. The seven musical angels are the personification of an exuberant panegyric as they reflect the ceremonial mood of Mary's reception into heaven. Their instruments - two nearly identical psalteries, a viola, a portative organ, a harp, a tambourine and a lute - are mere attributes; they do not constitute a real orchestra. Characteristically, the painter did not use a single wind instrument. The thin row of flowers at the bottom of the painting indicates that the location is the Garden of Eden. The donor of the work, Antonio Correr, the bishop of Ceneda, kneels in the right foreground. He commissioned this work for the high altar of the church from the aging master in whose works we can detect the Byzantine traits of Venetian Gothic. When he worked on this painting, he was probably inspired by Guariento's fresco on the same subject, completed in 1365 for the great council hall (Sala del Maggior Consiglio) of the Palazzo Ducale.Artist:JACOBELLO DEL FIORE Title: Coronation of the Virgin Painted in 1401-1450 , Italian - - painting : religious
new21/JACOBELLO DEL FIORE-385976.jpgPainting ID::  63553
 

 
 
   
      

All Raphael Oil Paintings
 
 
Raphael coronation of the virgin oil painting reproduction


coronation of the virgin
pinacoteca vaticana, vatican city se
new22/Raphael-332432.jpgPainting ID::  64778
 

 
 
   
      

All unknow artist Oil Paintings
 
 
unknow artist Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
1333 - 1362 Tempera on panel 99.1 x 77.5 cm
new22/unknow artist-494976.jpgPainting ID::  66884
 

 
 
   
      

All Paolo Veronese Oil Paintings
 
 
Paolo Veronese coronation of the virgin oil painting reproduction


coronation of the virgin
venice, s. sebastiono, sacristy. 200x170cm se
new23/Paolo Veronese-845643.jpgPainting ID::  69016
 

 
 
   
      

All CIMA da Conegliano Oil Paintings
 
 
CIMA da Conegliano Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
Date second half of 15th century Medium Oil on canvas cjr
new25/CIMA da Conegliano-357659.jpgPainting ID::  85780
 

 
 
   
      

All Giulio Romano Oil Paintings
 
 
Giulio Romano Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
between 1505(1505) and 1525(1525) Medium oil on wood cyf
new25/Giulio Romano-334995.jpgPainting ID::  89123
 

 
 
   
      

All CIMA da Conegliano Oil Paintings
 
 
CIMA da Conegliano Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
second half of 15th century Medium oil on canvas cyf
new25/CIMA da Conegliano-348433.jpgPainting ID::  89976
 

 
 
   
      

All Diego Velazquez Oil Paintings
 
 
Diego Velazquez Coronation of the Virgin oil painting reproduction


Coronation of the Virgin
1641-1644 Type Oil on canvas Dimensions 176 cm x 124 cm cyf
new26/Diego Velazquez-763483.jpgPainting ID::  94847
 

 
 
   
      
Diego Velazquez
  
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Coronation of the Virgin
1641-1644 Type Oil on canvas Dimensions 176 cm x 124 cm cyf

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